Sunday, February 19, 2012

The World Will NOT End in 2012: Please See The Economist


The World's Economy is NOT dead.
Insight and reports from The Economist will help you to survive and thrive. They target businesses, politicians, and people who want to have their head on straight when looking at the economy and making impactful decisions. As far as educated hypotheses go, this is the best source for economic knowledge. An "Economist Intelligence Unit" serves the magazine analysis, always using many resources from a global perspective. Here is the January-March 2012 issue is titled "The World in 2012":


   All articles give information, but none of them seem to have this as their main objective. They predict; forecast and encourage you to smartly make your own. The Contents page lists the following sections: Leaders, United States, The Americas, Asia, China (which rightly has its own section), Middle East and Africa, International, Europe, Britain, The World in Figures, Business, Finance, Science, Culture, and a small section titled Obituary. Leaders is a very large section, and needs to be given that power is being exchanged in many countries during this year. "Democracy and its enemies: In the coming year the people who run the world will change- and so could the ideas, predicts John Micklethwait" is one article in this section. Notice that rather than the traditional bi-line, this article ends the subhead with "predicts", and the reporter's name. Asia is seperated from China- this is a really interesting aspect not because The Economist is being strange in doing this, but I think it should be discussed why Asia and China are given different sections. The answer lies in growing economy of China, and the changes and problems sweeping Pakistan and India. "Redback Rising: More moves to raise the yuan's status" is one example of an article under China's section. All parts of the world are listed, so why a seperate International section? Well, this calls into question the collaboration of nations, looking at hindsight, and questioning balance of power. This magazine is not to be read front to cover in one bedtime reading, I think your head might explode. To lighten things up, Science and Culture discuss new artforms, play productions, and the article titled "It's Still a Gas, Gas, Gas", which discusses rockers who won't stop rocking (Bob Dylan, Neil Diamond). Also, rather than a recap of last year's events, the Economist has a full, January through December "Calender of 2012". 

   Organization: Past the well-organized Contents Page, a section head is in each top right corner in bright red. Like so:

 

   I love this. Easy navigation is fantastic and encourages me to read more. As the world has trained us, we are very visual learners. This is not lost on The Economist, and info-graphics are very common in articles to help give a visual concept of statistics. Statistics and economics at first glance are dry and boring. The Economist, for lack of a better idiom, breathes life into them. Every article has a picture or graphic, which adds to the story. When it's not a photograph or infographic, it's illustrated, and The Economist is very clever in doing this. Sometimes they even liken to a political cartoon.

(above) From the article "Virgin Territory," the
top of this graphic reads The Battle of 2012,
as companies Square, Apple, Paypal and
more battle to reach the lands of Software
State, Mount Social, AR and Mobile
Payments.
    (above) Infographic of World GDP Growth % in 2012.  
Advertisements: There didn't seem to be too many because the content is amazing, although the magazine really is packed with them. The few consumer material products advertised were Rolex, Hermes clothing from Paris, and Huawei Media Pad. The design was aimed towards sophistication, and advertising that it is a something worthy to add into your life. Environmental and Airlines were the next categories of advertisements, these included Qatar Airways, Emirates First Class, and Chevron advertising its promotion of "human energy". The majority of ads are intended for business and financial services; which makes sense as a majority of this magazine's readers care to manage their finances smartly, and all businesses could benefit from reading this. PNC offers financial services, and UBS offers assets management as well. Gluskin Sheff which offers wealth management has their ad in an eye-catching, simple orange with white and black print using several phrases like "balanced levels of risk and reward for the past 27 years."

For a mattress, go to a mattress store. There are certain things you only want to buy from a specilaty store, and I see news and advice the same way. For information on the economy, it can be nice to look through the New York Times, but the large group of experts at The Economist really can't be beat (that I know of). Editor-in-chief John Micklethwait has said this about The Economist; 
 "Our vision of the world, our style and our whole philosophy are different from other publications...we are international, we stress the links between politics and business, we are irreverent and we are independent."


For content, this could be considered its competition. Although this is only a section and not an entire print, and concentrates more on personal finance as the title explains. The business section also holds similar content to the business section of The Economist, but the Wall Street reports after the event, and doesn't have the predictive nature of the former. The evidence is in their writing style; almost everything is present or future tense. An excerpt from an article titled "Back to Formality" in the business section:
    "Companies, under increasing pressure to protect their profits, will focus more attention on white-collar productivity. As output is hard to measure in most professional jobs, managers will fall back on the oldest gauge of performance..."

Back to The Economist: The Economist online edition

Print vs. Online...Here is how I typically view this source, but in ways I do prefer the printed. I'm a sucker for glossy pictures, and layout and design. In the printed magazine, stories within sections may be highlighted, but there is not several stories being "promoted" as the top ones. In the online edition, there are main stories being displayed. Another difference is the added section of "debate" in the online edition, offering several sides to different topics. The debates may be added into the articles in the print edition, but not seperated like they are online. One memorable part of any journalistic publication is the Letter From the Editor, included in the print edition near the beginning. To find this in the online edition, you must click on print edition, and search for it within that page. For some this is an unnoticeable difference, but reading this can set the tone of the publication and help you to understand their goals.


How the print version sizes up...
As not all of their content can fit into the alloted pages of this magazine, much of what is printed are the "top" stories for each section. This is both a benefit and a downfall. It is nice to find quickly what you were looking to read up on; and this subject will most likely be in The Economist print edition. An example is the article "How to Run the Euro", which is a hot topic for 2012. The downside is many more stories, and more obscure ones which the people at The Economist have written are only available online. The layout of the print is just as a magazine should be; color is used precisely to code sections and distinguish information you are looking at. Pullquotes, sub-sections, and headlines are all very distinct. Another feature I like are the boxes which accompany every article, called 2012 in Brief, and Just Possibly.... The former offers factoids to come this year, the latter economic possibilities. One 2012 in Brief box tells of Yeosu, South Korea hosting the "Living Ocean and Coast" 2012 expo. Another downside is the limited number of sections compared to the online version. I feel like I'm getting a lot of content when holding the pages in my hands; but I know there is more, and this could be solved by pulling up the website.

And so the online edition...
They take advantage of the Internets ability for multi-media, with a section for podcasts and video. My only issue is that this could be integrated more into their other sections. Multimedia is its own section. An entire podcast is offered in this section which is a benefit of the online edition. However, they do not spread their videos out as much as they could. So once again, a benefit with some negatives. The access to past editions is inevitably how the online champions over the print. If you missed buying an issue, it is online anyways. Also, the graphics are interactive online. You can scan your mouse over a bubble map of the magazine's trending topics, click out the ones you don't want and the ones you. One current example is an interactive map with statistics of which countries would "short China now?". A downfall of the online is that navigation is more difficult. Information can seem mixed together, like stories in categories that may fit into multiple. One major benefit of scrolling through online is the economics debate library, with current, upcoming and past debates, always with a moderator. You only receive a dual-sided argument in print occasionally. Overall, the only complaint I have is that it could be more organized and have a better flow.

The version which is better depends more on your needs. If you want an indepth overview of the global economy, choose the magazine. If you study the information given in the current issues for business advice, it may be more helpful to study the past also, and then you go to the online edition. However, the online definitely offers more, and interactive graphics is just awesome. I personally read both editions. This is a magazine for a global audience- but I really hope more Americans read this magazine, helping to correctly inform them on the state of the economy, and hopefully lead to some better monetary and investment plans on a personal level.

I have just one problem...
It is not only multi-millionares who read this magazine. This information could be useful to anyone, whether you want advice or just want to know what's going on. It leaves a bad taste in my mouth that they appeal to the top 10%, and my proof for this statement is that all of their consumer ads are for Rolex, thousand-dollar clothing lines, and first class airlines. I'm a first year college student, and read this monthly. They are in no way targeting me with a diamond studded wristwatch.


Theatre, film, photography, dance and more hidden gems past the headline stuff found here:




Tuesday, January 31, 2012

Is IS Always Sunny in Philadelphia




It's Always Sunny in Philadelphia
 
Promotional Ad airing on FX:
http://www.youtube.com/embed/yLZlU8Fomig
 

Season 5 episode 11; Mac and Charlie Write A Movie. I watched this at 5p.m. on Comedy Central. FX is the home network, but Comedy Central frequently plays its reruns. The original air date of this episode was December 3rd, 2009. My first introduction to It's Always Sunny was last year- so although I'm watching the current season this was the first time I have seen this episode. The seventh season is current and started in September last year. A great aspect of this show is the old episodes still have style, and the new season hasn't lost any of the shows quality. Like many sitcoms today, they have done away with the "live" audience laugh track, though zany plot lines and unrealistic character behavior definitely still constitute it as a sitcom.
Characters are five owners of the semi-failing business Paddy's Pub:  
Dennis Reynolds and Dee Reynolds (twins), "Mac" McDonald (later roommate with Dennis and long-time friend with Charlie), Charlie Kelly (roommates with Frank), and Frank Reynolds (non-biological father of Dennis and Dee, but may be Charlie's biological dad).
Onto the plot...
Dee announces she will be the "featured actress" in a movie. Immediately Mac and Charlie's eyes light up as they realize this is actually their big break, and they will write the script for this movie which is already being filmed and has a director. Here's a clip of the transcript from the scene when they are brainstorming their main character:
“You know what I’m thinking? Something that’s happening in Hollywood that’s pretty cool- They take an underrated actor and whose career is in a slump- and they make him a star again.” -Mac
“Now that is awesome, right?” -Charlie
“So who’s the most underrated actor in Hollywood right now?”
“Dolph Lundgren.”
“Yes. Why?”                                   
“Well because of his spiky hair, ice cold demeanor and his big muscles.”
And they decide to make him a scientist- as long as they don’t cover up his body with a lab coat, bro.
So once that is decided along with a crazy plot line (with Charlie coming up with ideas and Mac editing them), they suddenly discover neither of them can actually write. After weeding out a woman in her 50's to be their writer (Charlie doesn't like her "demographic", she's too "judgemental"), they pick an "Indian" looking guy who turns out to actually be Pakistani (the difference is little to them). He edits their script, but they eventually boot him as they want the glory. So they skip straight to the movie poster to promote their Dolph Lungren film (who never makes an appearance). Frank gets in on the movie business by claiming to now be an agent, and represent Dennis. Dennis' response is a non-chalant "I don't give a damn", and follows Frank wherever. Meanwhile Dee is shocked to discover that her role which she continually referred to as the "featured actress role", constitutes laying in a pile of blood with other extras. She assumed and expected lattes brought at her request and her own trailer, although she wasn't promised any such thing by the casting director. In order to broaden her role, she maintains it is a zombie movie, where she can say the line "brains, brains...". However, the movie is about Serbian genocide. It's a really strange feeling watching the episode knowing you just laughed after the words "Serbian genocide" were said. By the end of the show, Dennis reveals he was not just typing away aimlessly on his phone the whole episode, but was instead inventing his own script. It turns out to be a story Mac and Charlie told him about a time they got trapped in a stairwell. Frank comes out on top in the end- having been given Dee's part in the movie because she complained so much. -fin-
A word on the cast: Rob McElhenney, Glenn Howerton and Charlie Day (Mac, Dennis, and Charlie, respectfully) created, produce, and portray the main characters. Rob McElhenney was the first to present the idea for the series, and he is credited as the executive producer. He was raised in south Philadelphia, which is where the show takes place. Danny DeVito plays Frank Reynolds, and Kaitlin Olsen who plays Dee is married to Rob McElhenney.
Ads suck: Comedy Centrals' advertisements I saw were for other CC shows- mostly for Adult Swims' Futurama and Tosh.0. Boost Mobile had a few ads, all of them featuring their little green android man. Jack in the Box wanted me to buy their 100% beef cheeseburger and monster taco box.
ME, ME, ME: This is truly the mantra of the show. All characters are narcissistic and even psychopathic. It paves the path for hilarious comedy with dark subject matter. Plots and characters exploit tendencies of people to be egotistical and have dishonest behavior to achieve their own ends. The characters speech varies between late 20's to early 30 year old's to pre-tween ramblings. Their style is casual as bar owners, and very realistic of how people dress. Many scenes are on-site of Paddy's Pub, however there is many others around Philadelphia as they don't seem to work more than the bare minimum. Always Sunny episodes have a plot and twists, very similar to 30 Rock. Story lines are carried into the next episode, but can also easily be dropped. Portlandia, while a sketch comedy with episodes containing skits, is also similar in their humor because it makes fun of people. Sunny's brand of comedy is truly unique in how bluntly they deal with dark subjects, yet do so cleverly. It is sarcastic and dry at times; like my favorite comedies are.
10 reasons you should be watching It's Always Sunny In Philadelphia: http://popwatch.ew.com/2007/09/13/its-always-sunn-5/
Stereotyping is occasionally present, but not the over-used kinds. Even in comedies there's the goofy protagonist trying to get the girl (Scrubs...). One stereotype I have identified is that Dee, the only girl of the group, is constantly told she will be excluded from the group's antics. However, this show has a few main qualities which are projected through all of the characters, not individual stereotypical traits allotted per character. Manipulative tendencies and antics no sane person would do (using crack-cocaine to qualify for welfare) are entertaining for audiences who I believe appreciate ironic comedy. It takes an audience who is not easily offended, and prepared for sometimes cringe-worthy statements. The network you view this on really effects which ads you'll get. Comedy Central targets college and even high school crowds with Taco Bell, school tech products, Axe cologne, and Big 5 gum. FX has shown Nike and work-out gear, and very similar ads but perhaps just targeting college-age. The ads make sense- even the young professional age (for example my brother and some of his friends) watch this show and the ads are products they use as well. If I were from another country viewing this, I can imagine I would still find it funny. I may even be able to identify other sources of humor, such as how selfish and assuming it portrays these bar owners and find it a reflection on how some of America can be.


I love it when the theme song Temptations Sensations by Heinz Kiessling comes in for a short reprise during an episode, after an event which really contradicts the songs twinkly, everything’s-dandy air. To give a super old-school reference- It reminded me of something the Audrey character from Little Shop of Horrors sang when envisioning her perfect housewife 1950’s life. It's Always Sunny in Philadelphia theme

Would you hide naked in a couch to spy on someone or try to seduce a prostitute Pretty Woman style? I hope you said "no". These are the type of scenarios which make It's Always Sunny in Philadelphia a complete parody. There are veins of truth lurking in episodes. For example in the episode I have discussed, Charlie and Mac assume a dark-skinned man is from India (he is of Pakistani heritage, and both of his parents and himself born in the United States). Exploiting assumptions is part of the truth behind this show. What happens in this show is not a portrayal of what could happen in real life, but provides comedy for people who want the darker subjects of life lain out plainly, and the humor to be found in them. This is a show you can watch with your friends- it is laugh out loud funny, not a -smirk- "Oh, that's clever" like you could get from the Colbert Report. Occasionally I do think the situations are too ridiculous, maybe a little too cringe-inducing. Audiences at Rotten Tomatoes (great review site for movies and TV) give it 95% and 4.6 out of 5 stars; very positive for the sometimes cynical audience of Rotten Tomatoes. One of the top-rated comments begins "By far one of the greatest shows ever created. It's better than Seinfeld, Friends, Cheers, anything similar really. These are not just characters or scenarios generated from stand-up, they're brought on by pop culture nostalgia and insanity..."
I would agree it is one of the best comedy shows created on the FX network. Best shows of all time, no. It is ground-breaking in certain aspects, and I adore its unbashful treatment of pop culture and its exploration of selfishness.
I take my Sunny through Netflix or if it's recorded on DirectTV. My older brother watches this, and several of my friends. This is one of the few shows I watch when I occasionally want to watch TV. I don't need to see every new episode, but if I were in the routine of watching TV I definitely would.
Before typing this post, I thought I would wind up turning this into an analytical essay on its characters and the meaning of their humor. After, I realize I genuinely just enjoy the humor and it offers a break from the annoying habits of society by making fun of them. Even if this show gets too far-fetched at times, I'll take it as what it is; comedy. And you should too.  
If you would like an entertaining re-cap of what you missed from the previous seasons, here's Grizzly Bomb: http://grizzlybomb.com/2011/06/16/its-always-sunny-in-philadelphia-new-season-7-details-and-the-15-best-episodes-ever/ 



And I'll end with a downloadable...
Instead of waiting in the dentists office for 5 minutes while you stare blankly at a wall, download "Flipadelphia". It's pretty entertaining for a mindless game.
http://www.appbrain.com/app/always-sunny-flipadelphia/com.fx.flipadelphia

Sunday, January 29, 2012

What do I like?
I don't like rhetorical questions. It's an interesting question though.
Here's a small list of words I like hearing people say:
Linguistic
Mellow
Quicksand
Fancy
Philosophical
Butternut squash


Where I get my information:
Morning news reporting is sad and funny, newscasters dialogue a weird creation of the news networks, and freelance journalist's blogs usually awesome.


In our information-happy society I've weeded out media I don't like; which can be difficult at times. Everyone does this. Yet many people have forgotten we can do this, and maybe need to have a stricter filter when they're slipping to reality TV and celebrity gossip news. I'm not alone in these thoughts.

There is a formula used for creating a gamut of emotions to experience during a movie, or towards any media that wants to keep audiences. I like to remedy my sickness from falling under the traps of commercialism or seeing the "must-see movie of the year" (which there are always several), by re-screening media through my filter. Comedy is an amazing invention because even though Portlandia and Daniel Tosh have drawn me in with their own formulas, they make fun of the culture around them, and that makes me happy.

I'll fixate on what I wish and -catch phrase- you should too.